The nutshell summary is that this is a travelogue movie that’s shot in a very informal and random manner. You feel like you were there but all in all nothing of great consequence happens. A couple travels from point A to point B and have pretty realistic adventures that result in a pregnant woman with a bedazzled eyepatch, urinating on the train tracks and changing a flat tire.
In the end…. yeah, it’s not a picture that’s ABOUT something. There’s no grand crescendo but it’s a story that really, we’ve all lived. As the picture wraps you don’t say to yourself “wow!” so much as you do, “yeah, I remember when…” We have all lived some vague insubstantial version of this story but unlike this filmmaker, we didn’t bother to record it.
This is a movie that doesn’t make you remember IT so much as it makes it remember your analogous version of what you just saw. This is a movie for when you’re in a contemplative and reminiscent mood.
Notes from my viewing…
The style is that clumsy but endearing one in which everything is shot in a very informal way. Shots get cut off at times, don’t quite work out, sometimes out of focus, but very lifelike. It makes you feel like you’re there but it’s not got that over-processed look that most of the Hollywood junk does. I love this aspect of the film.
The credits are exceptionally high tech and come in about 11 minutes into the film. They add a distinctly charming air to the whole thing. They also act as chapter markers.
The whole thing feels VERY midwestern. I would swear that I’ve been in some of these places. There are some great shots photographically; very similar to what I’d take when I’m traveling.
The dialog in this film is so… pedestrian… there’s a bit talking about uncles and great uncles and how that works and it’s just so… real. It’s very much like a real life conversation that’s really ABOUT nothing but it’s the sort of thing that makes up our entire lives.
Movie is filled with lifelike little contradictions… like the pregnant protagonist who smokes and drinks at times but then acts terribly guilty about it. And her identical coats in yellow and green.
My god; some of these painfully nondescript settings are completely and utterly realistic. Case in point, visiting the protagonist’s cousin. The situation is rather bizarre but the setting is completely natural.
This movie….. this movie has the MOST polite armed robbery in the history of … well, of history. Holy CRAP that was nonchalant. That is the Midwestern way. “Give me all your money but, you know, whenever you want.” OK, not quite a quote, but that’s the general idea.
Eight minutes from the end, it’s time for Indiana!!!!!
Yeah, that’s Indiana. Northern Indiana at least. Lots of Amish.